Archive for March, 2011
By Patrick Smith
Rachel Sterne, founder and CEO of GroundReport.com, and Robert Mackey, blogger for The New York Times’ Lede Blog, discuss how they determine the credibility of news reports contributed online by unknown or anonymous users.
American journalist Rachel Anderson is looking to equip libyan youth with the tools they need to become more effective citizen journalists. She was embedded with Libyan youth throughout Febrary and March and now needs to raise $30,000 to train classes of 15 young people essential reporting skills and how to share their stories with the world through the web.
She is working alongside Small World News, a group specialised in training citizen journalists, who say their project in Libya aims to help people to “report on the revolution around them. The group functions as a make-shift newsroom, responsible for finding, filming and editing original stories. The goal is to create a self-sustaining citizen journalist movement that continues reporting after Anderson and other Western journalists leave Libya.”
If you would like to contribute to the cloud-funded project click here.
In vast countries like Nigeria the mainstream press doesn’t always have the kind of penetration into all areas that one might want. With government propaganda added into the mix, it’s often hard to get a picture of what is going on across the country. Citizen journalism can play an important role in plugging this gap. Shutterfeeds aims to do just that.
This is Nigeria’s first user generated photo agency. Covering everything from politics to fashion it has something to offer everyone. People in villages largely cut off from life in the rest of Nigeria are able to tell their stories though that most accessible medium, the photo.
With corruption and propaganda still a big problem in Nigeria Shutterfeeds aims to “decipher what is propaganda and what is not, providing alternative individualistic news sources”. With elections just around the corner the fledgling agency could play an important role in exposing any cases of violence or vote rigging that might arise.
By Alex Webb
Following the survey I launched yesterday, here is a bubble diagram of where people last commented on news. Most people who took part were journalism students and the sample was small, but it gives an interesting snapshop of how people comment online. I asked participants where they had commented on a news story in the past six months, if at all.
By Alex Webb
It started with a wave, which became a torrent, and the effects still haven’t been fully measured. The colossal tsunami that hit Japan earlier this month has had untold consequences, and another burgeoning wave of Twitter and internet users is seeking to recount them.
Twitter has really started to take off with the hashtag #quakebook, a project entirely generated by the online community to produce a book, all profits from which will go to the Japanese Red Cross. The 2:46 Quakebook project (so-named after the time the earthquake happened) is the brainchild of Twitter user @ourmaninabiko, a longtime British expat in Japan, and is conceived as a collection of images, personal accounts and reflections on the catastrophe.
“I’m not looking for windy poetic stuff, just honest stuff,” he wrote in a blogpost on 18 March. “Aim to write 250-300 words or so – equivalent to a short blog post (or one page of a book).”
From that initial seed, the idea grew into an online-coordinated, edited and produced book, which is currently in the final stages of editing.
The online process the project has implemented can be summarised thus:
1. Initial idea from a blogpost;
2. Pieces submitted by gmail, Twitter or blogpost;
3. Edited and translated by contributors around the world;
4. Marketed online via Twitter and other social networks.
The publishing industry surely takes advantage of the information superhighway to edit and produce its books, but this project has simply been so quick from concept to realization. Although it was initially proposed to have the project completed within a week, that so much has been achieved within just eleven days is remarkable.
The clincher, however, will be to see how good the book actually is. To produce it within a brief timeframe is impressive. To produce something exceptional in that time would be simply miraculous, and a testament to what user generated content can really achieve.
I urge you to read Kaila Colbin’s eloquent blog on MediaPost, A Message From Christchurch On The Value Of User-Generated Content. As a survivor of the earthquake in Christchurch, Colbin argues that it is user generated content that allows life to go on, helps a stricken country reasess itself and gets aid quickly to those who need it. More importantly still, it connects people. She puts it far better than I could:
“In a disaster, UGC is not here for your entertainment. It is not competing with network news for ad dollars. It does not care whether you think it should be pitted against the professionals for a journalism award. It is a way for people experiencing the most significant event of their lives to bear witness, to cry out their pain and their suffering and their need, to connect with people close by who are sharing the experience and with people far away who, but for their voices, might mistake these events for a blockbuster movie filmed on a sound stage. No human can fail to be moved by the horrific tragedy of Japan, made so real by the user-generated content coming from that ravaged coastline — its very lack of professionalism making it so abundantly clear that there is no difference at all between us and them. In these turbulent times, we cannot afford to distance ourselves from the humanity at the other end of the camera, and from the reality that there but for the grace go we.”
Looking at her words, though, one thing is clear. User generated content is not doing anything new. It’s just doing it better. Reaching out to other survivors, recording personal testimonies of disasters, calling out to the rest of the world for help: these are things that humanity has been doing forever. The explosion of user generated content just enables these things to be done faster, more easily and on a bigger scale.
By Emily Fairbairn
Mohammed Nabbous died this week. Described as “the face of Libyan citizen journalism” by NPR’s Andy Carvin, Nabbous, known as Mo, was the primary contact for many Western journalists. He documented the Libyan revolution from a citizen’s point of view, posting exclusive videos that revealed the violence wreaked by Colonel Gadaffi’s troops against rebels in Benghazi. He founded the TV channel Libya Al Hurra TV, and was killed in the process of exposing attacks carried out by Gadaffi’s forces during a supposed cease-fire. Roy Greenslade of the Guardian writes that Mo was “regarded as one of the few credible, independent sources of news and analysis of the rapidly deteriorating situation in the city.”
Mo’s death is therefore not just a tragedy for his family, but for the watching world as well. Work by fearless individuals like him is the only way that the rest of us will hear about the horrors carried out in the parts of the world that shut out the mainstream media. It’s an old cliche, but knowledge is power; we should be little surprised that Gadaffi’s regime wanted him dead.
When Mo’s pregnant wife Perdita tearfully announced his death on Libya Alhurra, she reaffirmed the importance of the citizen journalist and insisted that Mo must not be allowed to die in vain.
“I want to let all of you to know that Mohammad has passed away for this cause. He died for this cause, and let’s hope that Libya will become free,” she said.
“Please keep the channel going, please post videos, and just move every authority you have to do something against this. There’s still bombing, there’s still shooting, and more people are going to die. Don’t let what Mo started go for nothing, people. Make it worth it.”